Movie
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F1 + Joseph Kosinski | M3GAN 2.0 | Speed Racer (2008)
On Truth & Movies this week, we discuss the high speed blockbuster F1 and spoke to its director Joseph Kosinski.…
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28 Ways Later | Little White Lies
If Danny Boyle and Alex Garland’s much-feted 28 Years Later taught us anything, it’s that the UK has struggled to…
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In the mood for In The Mood For Love
In hindsight, it is not surprising that the film’s nostalgic rendition of 1962 Hong Kong left such an indelible influence…
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The Sensual Elegance of I Am Love
This feature is the fourth in our summer series, La Dolce Vita: A Celebration of Italian Screen Style, in partnership with…
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Jurassic World: Rebirth review – struggles to…
Rather than a triumphant replay of the old hits, Jurassic World: Rebirth is a bit more like Malibu Stacy with a new hat. It’s a repackaged…
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Basketball: A Cinematic History | Little White Lies
White Men Can’t Jump is about as graceful as pop filmmaking can be. On the surface it’s a touch formulaic –…
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Hot Milk review – never properly gels
Rebecca Lenkiewicz adapts Deborah Levy’s best-selling novel, but the result is lacklustre. This icy psychodrama of deep familial discord plays…
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GriefTech: Death and Technology in The Shrouds,…
This trend can also be traced in recent television series. In Apple TV+’s Severance, biocorp giant Lumon manufactures brain chips that…
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Severed, Reprinted, Impersonated: The Rise of Cinema’s ‘Work Double’
A spate of recent works are pondering the concept of replicating or separating oneself in response to our increasingly economically…
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The Shrouds review – precision filmmaking of the…
It’s become a cliché to say that David Cronenberg’s The Fly remains one of the most heartbreaking films of the 1980s,…
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