Movies
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Wes Anderson: ‘You’re hoping for the right…
Like many of your films, The Phoenician Scheme features a lot of fine art, and I liked that you show…
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The Mastermind – first-look review
It’s difficult to say what truly motivates James Blaine Mooney (Josh O’Connor) to blow up his own life. Frustration, perhaps,…
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Resurrection – first-look review | Little White Lies
Bi Gan’s Resurrection opens with a title card that sets the scene for his third feature: we’re in a future where the…
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The Ballad Of Wallis Island review – relishes in…
“No man is an island,” so goes the poem by John Donne, which was an idea resolutely rejected by Hugh…
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Along Came Love review – an intimately epic love…
At a funeral, a character reads out the deceased’s favourite poem; it’s a blazing, lonely love poem that articulates the…
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The Ritual review – fails to scare, entertain or…
The release of a new exorcism movie has become a rather mundane ritual, but the latest, unimaginatively named The Ritual,…
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Bogancloch review – film and landscape are as one
In his 2011 film Two Years at Sea, artist/filmmaker Ben Rivers decamped to Scottish wilds with his hand-cranked 16mm camera…
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Dangerous Animals review – why sharks? They’re…
Near the beginning of Sean Byrne’s Dangerous Animals, Surfers Paradise local Moses (Josh Heuston) asks American free spirit Zephyr (Hassie…
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Falling Into Place review – Sally Rooney-core for…
Someone has been reading a little too much Sally Rooney, and that someone is director/writer and star Aylin Tezel, whose…
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Introducing… La Dolce Vita: A Celebration of…
To celebrate Disaronno’s 500-year anniversary*, we’ve teamed up with the iconic Italian liqueur makers to bring you an extra special…
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