Movie
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Honey Don’t! – first-look review
Ethan Coen has earned the right to do whatever the hell he wants when it comes to making art. Whether…
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The Wave – first-look review
There is a delicate threshold separating self-awareness from petulance, and the directors who know how to best thread it understand…
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Monica Sorelle: ‘I’m working through my grief…
The politics of the film are impossible to ignore though, especially as those in power in the United States perpetuate…
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László Nemes: ‘I wanted recreate the experience…
The Academy Awards may be a glitzy party with an arbitrary approach to dishing out Oscars but, within the circus,…
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Wes Anderson: ‘You’re hoping for the right…
Like many of your films, The Phoenician Scheme features a lot of fine art, and I liked that you show…
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The Mastermind – first-look review
It’s difficult to say what truly motivates James Blaine Mooney (Josh O’Connor) to blow up his own life. Frustration, perhaps,…
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Resurrection – first-look review | Little White Lies
Bi Gan’s Resurrection opens with a title card that sets the scene for his third feature: we’re in a future where the…
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The Ballad Of Wallis Island review – relishes in…
“No man is an island,” so goes the poem by John Donne, which was an idea resolutely rejected by Hugh…
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Along Came Love review – an intimately epic love…
At a funeral, a character reads out the deceased’s favourite poem; it’s a blazing, lonely love poem that articulates the…
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The Ritual review – fails to scare, entertain or…
The release of a new exorcism movie has become a rather mundane ritual, but the latest, unimaginatively named The Ritual,…
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