Movie
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Playground Love: How Air scored The Virgin…
Nevertheless, Coppola knew what she wanted and, pressed for time, Godin and Dunckle returned to the studio for a weekend. In…
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The Golden Spurtle review – very sweet, not…
Eccentric food-preparation competitions are usually the domain of eagle-eyed TV execs who must attempt to work out the drama can…
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From Ground Zero: Stories from Gaza review – a…
For anyone that has paid even a modicum of attention to the daily images coming out of Palestine, the scenes that…
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Spinal Tap II: The End Continues review –…
It’s sad to have to admit but a certain two word review came to mind while watching Rob Reiner’s belated and…
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Blue Heron – first-look review
Sophy Romvari’s movies are slippery things. The Canadian filmmaker already has something of a cult following among very-online cinephiles despite only…
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Two Pianos – first-look review
Vivacious, neurotic and stubborn, with imploring eyes and cheeks that take on a rosy flush when photographed on film, Nadia Tereszkiewicz, star…
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The Long Walk review – more televised deathsports…
TV and cinema is obsessed with selling us the notion that people are, in the main, absolutely fine with watching…
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Venice Film Festival Special 2025
On Truth & Movies this week, we come to you live from the city that gave us Don’t Look Now and…
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Islands review – if Challengers were a European…
There’s a man face down in the sand, unmoving. Nothing but vast golden sand dunes and endless blue sky surrounds him.…
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The Christophers – first-look review
The aging painter Julian Sklar (Ian McKellen) of Steven Soderbergh’s The Christophers is introduced recording cameos, donning a beret for the occasion…
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